Las óleos de todo Charles Ricketts


ID Image  Painting (From A to Z)       Details 
88836  
Charles Ricketts, Charles Haslewood Shannon
 
 Charles Haslewood Shannon   oil on canvas, (95 cm x 99 cm) Date 1898(1898) cyf
25040  
Charles Ricketts, Projef de costume pour la Piece Judith (1919) aquarelle monogrammee (mk32)
 
 Projef de costume pour la Piece Judith (1919) aquarelle monogrammee (mk32)   31.7 x 48.2 cm Coll Robin Duff Anc Charles Jerdein Londeres judith archetype de la femme fatale etait de meme que Salome un theme tres prise en particulier par les peintres symbolistes le dessin original de Ricketts Pour le costume de premier role Joue par McCarthy fut interdit par lord Chamberlain ayant ete juge indecent

Charles Ricketts
1866-1931 English painter, designer, writer and collector. He trained as an illustrator at the City and Guilds Technical Art School, Lambeth, London, where he met and formed a lifelong relationship with CHARLES HAZELWOOD SHANNON. He identified with the ideals of the Aesthetic Movement, finding inspiration in Renaissance art as well as in the French artists Gustave Moreau and Pierre Puvis de Chavannes. In 1888 he took over James Abbott McNeill Whistler's house, The Vale, in Chelsea and drew together an artists' colony. Inspired by the work of A. H. Mackmurdo and William Morris, he set up a small press over which he exercised complete control of design and production, producing art journals and books that included Oscar Wilde's A House of Pomegranates (1891) and The Sphinx (1894). Ricketts later designed founts, initials, borders and illustrations for the Vale Press (1896-1904), blending medieval, Renaissance and contemporary imagery.



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